Source
- Alexander Yanai Vol 4
- Reel 13, Track 1, Lesson 4
Synopsis
- Write a couple of sentences.
Lesson Outline
- Lie supine, palms on floor, knees standing
- Turn the left hand over and return rhythmically
- Match the inhalation, pause, exhalation and pause to the duration of one hand turn
- focus temporarily on the duration and rhythm of the inhalation
- focus temporarily on the duration & rhythm of the gap after the inhalation
- focus temporarily on the duration & rhythm of the exhalation
- focus temporarily on the duration & rhythm of the gap after the exhalation
- focus temporarily on all four parts of the hand movement / breath cycle
- Do the same, with an open mouth. Notice the movement is quicker
- Do the same, through the nose. Notice a change in the hand movement
- Do the same, with an open mouth once more
- Stand and walk
- Lie prone, with the head on the left hand comfortably, the right arm above the head
- Lift and lower the index finger rhythmically like a drum
- Observe how many beats in the inhalation and exhalation parts of the breath cycle?
- Make both breath elements equal in length to the shortest one
- Having found this duration, after inhaling hold the stopped breath for the same duration
- Having found this duration, after exhaling hold the stopped breath for the same duration
- Make all four breath elements equal in length
- Lift and lower the index finger rhythmically like a drum
- Rest on the back
- Stand the feet, turn the left hand over like before. Sense the change in quality
- Breath in four equal parts matching the hand movement
- Stand and walk
- Prone, the same position (head on left hand, right arm above head)
- Lift the first 4 fingers one after another; rhythmically. One finger lowers as the next rises
- Accelerate the movement
- Match the breath to the fingers, either by breathing quickly or moving the fingers slowly
- Move the fingers according to the breath rhythm
- Make the breath according to the finger rhythm
- tap each finger twice and match these with one breath element, including the stops
- breathe to the rhythm of the index finger. Sense the quality
- breathe on a count of 2 movements of the index finger
- breathe on a count of 3 movements of the index finger
- breathe spontaneously
- Tap the floor rhythmically with the palm
- breathe on a count of 3 hand taps
- breathe on a count of 4 hand taps
- Rest on the back
- Stand the feet, palms on floor
- lift and lower in turn the left thumb, index, middle, & 4th finger (no little finger)
- breathe on a count of 4 movements of each digit (means 16 taps for each complete breath cycle?)
- continue with movements in the fingers of the right hand
- Continue with both sets of fingers tapping and matching the breath
- Continue alternating the right and the left hands (fingers)
- Continue with both sets of fingers
- continue, including the little finger and excluding the thumb
- Rest
- Recommence (both hands); inhale with 5th finger, pause on 4th finger, exhale on middle finger, pause on index finger
- Left hand: turn the hand as at the beginning of the lesson
- Breathe to a count of four taps of the left hand for each breath element
- Continue, with both hands
- Open the mouth and listen to the exhalation
- measure the duration in taps
- hold the breath at the end of the open-mouthed exhalation
- measure the duration in taps
- hold the breath at the end of the open-mouthed inhalation
- measure the duration in taps
- Stand and walk
Focus of the teaching
- In addition to the movements, what theme or ideas did the teacher focus on
Related ATMs
Breathing in 4 parts:
- AY185 Lying on the Feet # 3 and breathing rhythmically #2
- AY186 Breathing rhythmically #3 (The left side)
- AY187 Breathing rhythmically #4 (On both sides)
- AY188 Twisting the spine and Breathing rhythmically #5
- AY191 Pressing to the floor and breathing (Breathing rhythmically #7)
- AY201 Gluing in the Lungs Part 1
Resources
- Add links to external resources that would be of interest to the reader
Share Your Insights (ideas, principles, strategies, experiences, …)
- Add your thoughts about the lesson here.
- Please sign your comments
- Differing viewpoints are welcome and desired!
- This resembles lesson 5 of David Webber’s vision workshop (BParsons)
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